You Never Know…

… What will show up in a photograph. Connecticut received its first measurable snowfall since the storm back in October. They were calling for 4-6 inches, which got me excited. I knew I would be up the next morning sitting in my blind photographing the birds. There is a certain character of birds in the snow, especially when those subjects are Dark-eyed Junco’s as shown in the photo above. I was shooting at f/5.6, ISO 500, with a shutter speed of 1/40. You’re probably asking why I had my shutter speed so low. Well, I wanted the snow to leave streaks in the image as it fell to the ground. That called for a slow shutter speed. I took 195 images that morning, and 37 of them were sharp. That just goes to show that the more images, the better chance you have of obtaining a sharp image. Now here comes the surprising part of this image:

This is a 125% crop of the first image in this blog post. Check out the snowflakes on the birds head. Up until now, I always thought those intricate snowflakes were just a decoration, but they are really real! As the title says, you never know what will show up in one of your images. Let’s just hope it’s a good thing!

To see more of my work, please visit my personal blog at www.jlounsburyphoto.com/blog

Insects In Flight

 

Insects are incredible creatures, and have been the fascination of many naturalists who dared to delve into the most numerous of all orders of life. I too am fascinated by their delicacy and variation. There are too many to count, and therefore make perfect photographic subjects. If you spend enough time in the right place you are sure to see them. However getting the right shot takes a lot of persistence and patience, which I admit challenges me and is one of the reasons I pursue them. Here are a few shots of insects taking flight, action in the frame can make for a more spectacular image.

Max

(Follow me at www.500px.com/max_wildlife)

Shooting Moving Water

Shooting moving water is quickly becoming one of my favorite things to do, simply because it is so fun, yet simple. You can do it any time of the season, any time of the day. However, the best seasons for it are Fall and Winter, and the ideal light is overcast, because it allows for slow shutter speeds. You want to set your f-stop to somewhere around f/16-f/22, and use the lowest ISO your camera will go, which in my case is ISO 100. Slow shutter speeds allow the water to flow while the mirror is up, therefore showing the motion of the water rather than freezing it. The key is getting into the water. I use my Dad’s old fire boots, which allow me to go into thigh high water. Getting into the water allows the water to flow through the scene and dump out into your viewers lap.

You don’t have to go for the wide cascade shot, but can focus on those small scenes. In the Winter, I love to focus on ice along the sides of the streams. It provides a strong anchor point for the eye, since the rest of the scene will be blurred from the water movement. The most important thing is to have fun with it! The images can be very rewarding!

To view more of my work, please visit my personal blog at www.jlounsburyphoto.com/blog

Yellowstone and Surrounding Area

I recently returned from a trip photographing Yellowstone and the surrounding area. Joining me on this trip were fellow young nature photographers: Timothy Brooks, Kathryn Boyd-Batstone, and Jess Findlay. We stayed in Gardiner Montana and shot the area for a total of 6 days. Unfavourable weather conditions made finding wildlife somewhat tricky to say the least, but we managed to find some good stuff.

The subjects we photographed the most were: Bison, Elk, Antelope, Bighorn Sheep, Coyotes, and believe it or not, Mountain Chickadees. The most memorable moment would have to be when Jess and I went on a hike outside the park and managed to crawl up to a Coyote tearing apart an Elk carcass. Definitely the coolest experience of my life. Unfortunately I was using my new 5D2 for the first time and messed up my settings, leaving me with mostly blurry images. For a full story on the trip, please read Jess’ blog here: http://jessfindlay.wordpress.com/2012/01/05/yellowstone-national-park-and-more/

If I go back in time, I  have to thank Gabby Salazar for this trip! Here is an example how becoming a part of this blog helped me go on this Yellowstone trip. Last year, Gabby was very nice and wrote myself (and Timothy Brooks for that case) a reference letter for the NANPA College Scholarship. I was fortunate enough to get accepted to the program in McAllen, Texas. At the Summit, I made a point to make friends with not only the College Program, but also the HighSchool Program students. I was happy to meet some familiar names such as: Ben Knoot, Johan Dornenball, Alexandra Sandlin, Kari Post, and of course Timothy and Kathryn. Joe Sulik, one of the highschool members, invited  us all to Yellowstone during the summit. This is where the whole trip was sort of planned. Overall, most people could not end up making it out, including Joe, but we still had a very fun trip! So all in all, I have to give thanks to Gabby for sending me to NANPA, which sent me to Yellowstone! This is a great example of how joining this website help with your future photography.

Here is an album of images I took from the trip  http://www.connorstefanison.com/p467080564

Thanks for reading,

Connor Stefanison

http://www.connorstefanison.com/

Choosing A Good Tripod and Ballhead

Gitzo 3541LS Systematic Carbon Fiber Tripod & Induro BHD2

Gitzo 3541LS Systematic Carbon Fiber Tripod & Induro BHD2

I just purchased a Gitzo 3541LS Systematic Carbon Fiber Tripod and Induro BHD2 to add to my gear arsenal. Both of these pieces of equipment are extremely precise tools. I though I would share a couple of tips on what to look for in a tripod and ballhead.

What to look for in a tripod?

  • Go carbon fiber – It is much lighter than aluminum tripods and transmits less vibrations. Carbon fiber is also easier to maintain, and isn’t as susceptible to corrosion.
  • Lose the center column – The center column drives up the price in a tripod, but isn’t the best thing for sharp images. When you raise the center column, you effectively have a three legged monopod.
  • Buy for the future – All of us who post here are fairly young. You want to buy a tripod that will last you a lifetime. Buy from the reputable brands such as Really Right Stuff and Gitzo, as they often carry lifetime warranties.
  • Go for height - A tripod should be at least tall enough to come up to your chin. This will insure comfortable usage.
  • It should be durable - Ask about the tripod you are interested in on various photography forums and watch YouTube videos. This can give you a sense of how the tripod will perform out in the field.

What to look for in a ballhead?

  • Fluidity is the key - A ballhead needs to be fluid. If it isn’t, you won’t be able to pan very well.
  • Look for independent panning lock - The independent panning lock allows you to pan while the rest of the head is locked down. This is great for panoramic photography.
  • No creeping - Make sure that the ballhead doesn’t move when you tighten it down. If you frame a scene to the precise inch, you want it to stay like that when it gets locked down.
  • Support the weight - A ballhead should be able to support the weight of your camera plus some.
  • Look for warranties - Warranties give you an extra peace of mind. Look for the ballheads that come with them.

Well, here you have it. These are my tips on choosing a good tripod and ballhead. If you have any questions, please feel free to shoot me an e-mail at joey@jlounsburyphoto.com

Morocco Shots

Hope everyone had a great christmas and looking forward to new years!

Just got back from Morocco, not much wildlife out there, other than a few camels and the odd stray dog. I decided to try out, and experiment with long exposure shots for the first time. It was difficult trying to reduce the shutter speed in such bright light (the river shots), so i used some ND filters to reduce the amount of light hitting the sensor, which proved relatively effective. Ideally i would have gone back on an overcast day, but it was some distance from the house and the family weren’t keen! The sunset shots were taken just outside our apartment, however without the use of a tripod, trying to create pleasing compositions was difficult. The rocks on which the camera sat had quite a bit of input into the shots! Critique welcome.

Happy new years
Matt

Merry Christmas!

Merry Christmas everyone! I hope you are having a day filled with fun and family.

Christmas wishes

The image above is of a European robin (Erithacus rubecula) that I photographed last December when the UK experienced heavy snowfall. There has been significantly less snow this year in Kent with only a few flakes falling and melting on contact with the ground.

There is nothing quite like waking up to find familiar surroundings transformed into suddenly unfamiliar terrain; untouched and new. Venture outside, and on closer inspection it is soon clear that the blank canvas is not completely flawless. Meandering trails made by foxes pockmark the snow. Mammals and birds alike leave both a narrative and a map in their wake.

I am keeping my fingers crossed for a good layer of snow before the end of winter. As well as taking photographs I will be keeping my eyes peeled to see how many different tracks I can spot.

Merry Christmas and Happy New Year!

-Jodie

Holiday Photos

 

The Holiday season is a great time for photography. Christmas lights can become great photo subjects! Using a Christmas tree as a background for portraiture can result in very pleasing results. By shooting with a wide aperture – smaller numbers f/1.4, f/1.8, or f/2.8 – the lights will be pleasantly rendered into large round bokeh. Bokeh is a Japanese term for the way the out of focus part of a picture looks. Different lens create different bokeh. Generally higher end lenses create softer more pleasing bokeh. Alternative lenses like tilt shifts and Lensbabies can also be very fun to use with Christmas lights.

 

Christmas lights can also be very pleasing as abstracts. By using long exposures and moving the camera unique designs can be created like this image capture last year. The subtle blue in the top of the images comes from the late evening light outdoors. I slowly moved the camera back and forth to get this result. Play around this holiday season and try getting some unique Christmas light shots.

Merry Christmas and Happy Holidays

– Ryan Watkins (to see more of my work visit ryanwatkinsphotography.com or find me on flickr.)

Should It Get Dumped?

Cooper's Hawk

Cooper's Hawk

This was one of those times where I wish that magnificent bird was perched on a branch. A lot of people ask me why I don’t delete images that include the hand of man. Well the simple answer is that the hand of man is everywhere! The birds have learned to adapt and use these things to their advantage. Hawks will perch themselves on power lines to search for food. That was the exact case with this image. I am showing the biology of this critter, which makes it okay in my eyes. Now on to the technical part. The background was pretty bright, while the subject was in deep shade. I broke out the Nikon SB-800 and the Better Beamer. My biggest challenge was keeping the red eye away. This was the one frame of about 30 that the red eye was not present. Now the big question. Is it obvious that I used flash on this one? Any feedback would be appreciated.

To view more of my work, please visit my personal blog at www.jlounsburyphoto.com/blog

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